Circulus Vitiosus Diabolus: On Temporality & Nihilism in Sátántangó” in Pennsylvania Literary Journal (spring 2012). Republished in Hungarian tr. in Hungarian Lettre International.

The Intuitive Geometry of Vincent Bredif” (2015)

L’intuitive Géométrie de Vincent Bredif” (2015)

Again I Saw: Desire & Distance” in Hyperion (2014). Essay in English & French

The Crisis of Cognition: On Memory & Perception in Chris Marker’s The Hollow Men. ‘Quelle heure est-elle?’” in (2009)



Le Ballet de L’Embouchure” (2016)

Body Bags: Adrift in the Medium & the Flesh” in Hyperion (2013)

The Sounding Silence of Fulya Peker’s Sonic Poetics” in Hyperion (2014)



Entering the World Stage: Miklós Szentkuthy’s Ars Poetica” in Quarterly Conversation (2014)

Auftritt auf der Weltbühne. Miklós Szentkuthys »Ars Poetica«” in Sinn und Form (Sept/Oct 2014)

To Humanize & Dehumanize: Imitation, True Contrasts, & the Faustian Pact” in Hungarian Literature Online (December 16, 2013).



Agonistic Ethics: On the Hospitality of Warriors” in Érzéki tapasztalat és kritikai gondolkodás. Nietzsche-Symposion. A tragédiaszü maegjelenésének 140 (2012)

Zarathustra’s Stillness: Dreaming & the Art of Incubation” in Nietzsche’s Therapeutic Teaching (2013)

Nietzsche’s Synaesthetic Epistemology and the Restitution of the Holistic Human” in Nietzsche & the Becoming of Life (2015)

Invisibly Revolving — — Inaudibly Revolving: The Riddle of the Double Gedankenstrich” in The Agonist (spring 2010)

Hearkening to the Orphic Song of Dasein” — as of yet unpublished essay on Heidegger’s notion of hearkening



The Necessity of Illusion” introduction to: Yunus Tuncel, Towards a Genealogy of Spectacle (2011)

Renati the King: A Phantasmagoric Tragicomedy” introduction to: Gian DiDonna, Renati the King (2010)